An Unheralded Art

I am haunted by the lonely beauty of a piece of glass. For many years I have come back to this image of the women at the tomb of the risen Christ to wonder about the hands of who may have created such rare beauty. I came across the picture again recently when I was putting together a string of images for a presentation to a group of local architects. What was surprising was that the image was in the file waiting for me to rediscover for I thought it was lost. Memory plays tricks on us especially when we have been around long enough to develop a few of them. For years the thought plagued me that I needed to go back to the church in Vicksburg, Mississippi, and photograph this piece of glass so I could study it again. But here it was stacked up digitally recumbent in a tiny yellow folder just a few nervous clicks away from my consciousness.
As I lay quietly in my bed writing this text, the sound of the sweet olive branch against the window pane keeps me from drifting off to sleep. Where I live the house shudders from time to time, I know this because the slightly loose light bulb in my reading lamp sets up a thin rattling whine when a wave of vibration reaches the end of the house where I am resting in repose. Somehow I believe that by focusing on one small element that larger truths can be revealed. By looking at the seemingly mundane smallness of a single piece of glass some truth can be brought to bear on the existential questions of happiness and redemption.

What is so intriguing about this image is the number of questions that it raises when the time is taken to contemplate what it is saying to us. Why are the women looking off to the right, outside of the picture plane when the image of the risen Christ is to the left? Could a painting of such pathos been created by a man? It seems such a feminine take on the emotional complexity of the moment. Can one tell by looking at a work of art if it was painted by a woman or a man?
Behind the women and above the glass painter left a seemingly random pattern of black paint that conjures many possible interpretations. Is it rain? Forms of mountains in dim fog light? I believe that these suggestions create an openness allowing a free interpretation of the image. Is this a type of perfection? Perfection defined by the Taoist diarist Lao Tze that one can see beauty as beauty only because there is ugliness?

“Woman with Dead Child” by Kathe Kollwitz, etching, 1903 National Gallery of Art,D.C.. In the public Domain in the United States of America.

Many years ago, at the advice of a friend, I sought out an exhibition of etchings by the German artist Kathe Kollwitz. The glass painting image of the women at the well reminds me of Kollwitz graphic work. As an artist she created images with great pathos and as a woman her portrayal of the emotions and plight of women are hauntingly beautiful.

In a future post I will report on my trip back to the church in Vicksburg to see this piece of painted glass again. Kollwitz shows us that women have insight into events that create emotional gravity. The artist that painted image of the women at the tomb has shown us that great art is possible even in the most unheralded of places.

About andrewyoung

I am an artist working with glass for 38 years. My company Pearl River Glass Studio, Inc. is underway in a major business expansion adding 10,000 sq. ft. of studio space to our existing facility in Midtown Jackson. We are designing and manufacturing kiln formed architectural art glass. We collaborate with architects, interior designers, and artists to explore what is possible with glass as an art form. Visit the Pearl River Glass Studio FaceBook page and our website at And if you are ever in Mississippi let me give you a tour of the studio and show you what we have found is possible with glass and meet our talented group of artists and craftsmen.
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3 Responses to An Unheralded Art

  1. Kathryn says:

    You are always so insightful. I spoke with Dan Fenton not too long ago. He is setting up fusing classes around the country and would like to set one up here. There would not be enough interest around here and I feel the cost would be prohibitive, but Jackson could probably handle the course and there would be more glass artists to reach. If you would like to learn more I would be glad to forward his info. Classes range from 2 to 5 days and costs begin at $105 per day for Fenton. Let me know. Happy Spring!! Mary Kathryn will be married April 2nd. Moving to Baton Rouge. Thank goodness it is close. Allen and wife moving to Vermont. Chicks have flown my nest!! See you!! Kat

    • andrewyoung says:

      Kathryn, thank you for commenting on An Unheralded Art . The insightfulness comes and goes I am afraid. Just wish I had it at all times, especially when dealing with my young children! I spoke to Dan before the holidays as well. Pearl River Glass Studio is going to be at the Renaissance Arts Festival the first weekend of April. I am working now on a fused glass flower vase. It is proving to be a real challenge. If you haven’t seen the PRGS website lately you have missed the new video.

  2. For being a hunter of a stained glass, I admire those designs. Keeping it clean and glossy will also keeping it’s beauty. A simple method of cleaning it is spray water on it and rub gently with the cotton cloth.

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